“...Pomme Koch, who had a lush, resonant singing voice and the right amount of ambiguity. This man could be telling the truth about the mobile chemical-weaponry labs — or he could be a slimeball.”
— The New York Times

The Band's Visit on Broadway
Opening November, 2017

Directed by David Cromer, Book by Itmar Moses, Original Score by David Yazbek.
Produced by Orin Wolf, John Styles, John N. Hart Jr., and Atlantic Theater Company.

"The Band's Visit Completes Broadway Casting" 


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A Thousand Splendid Suns, A.C.T. & Theatre Calgary
February/March, 2017

The world premiere adaptation of Khaled Hosseini's bestselling novel, A THOUSAND SPLENDID SUNS, played for over 40,000 people in The United States and Canada at A.C.T. and Theatre Calgary. Directed by Carey Perloff and adapted by Ursula Rani Sarma

"A Resplendent 'Thousand Splendid Suns'" San Francisco Chronicle


BLUE BLOODS
October, 2016

Season 7, Episode 3: Mob Rules

Download on iTunes

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National Alliance for Musical Theatre, Annual Festival of New Musicals
October, 2016

WE LIVE IN CAIRO. Book, music & lyrics by Patrick & Daniel Lazour. Directed by Kareem Fahmy, Musical Direction by Eli Zoller. 

"NAMT's 28th Annual Festival of New Musicals Officially Launches Today"


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Eugene O'Neill Theater, National Playwright's Conference
July, 2016

AGAINST THE HILLSIDE. By Sylvia Khoury, Directed by Portia Kreiger. 

"Margo Seibert and More Star in O'Neill Center's National Playwrights Conference Readings, Starting Tonight"


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THE INVISIBLE HAND, Marin Theatre Company
Summer, 2016

Ayad Akhtar's Revised Edition of THE INVISIBLE HAND made its North American Premiere at Marin Theatre Company in the San Francisco Bay Area. Directed by Jasson Minadakis.

"As performed by Pomme Koch, in a striking MTC debut, Bashir’s mercurial changes of mood are so finely calibrated that you wind up sympathizing with a guy who’s basically a jerk." The San Francisco Chronicle

 


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WHO'S YOUR BAGHDADDY? OR HOW I STARTED THE IRAQ WAR
October, 2015

Written by Marshall Pailet and A.D. Penedo; Based on a Screenplay by J.T. Allen; Directed by Marshall Pailet

"...Pomme Koch, who had a lush, resonant singing voice and the right amount of ambiguity. This man could be telling the truth about the mobile chemical-weaponry labs — or he could be a slimeball." NYT Critic's Pick